June 1969 - December 1969: I Don't Think I Could Have Handled That Responsibility

Pictured above: George Harrison, 1969

Recording for George Harrison’s debut album, Something, was officially concluded on August 26th, 1969. Having gained a lot of publicity since Woodstock, the album was promoted tirelessly by Apple Corps. The album cover was taken on August 8th, 1969, outside EMI Studios on Abbey Road. The image became one of the most infamous and imitated in recording history, with it becoming a popular destination for Beatles fans, so much so that EMI Studios was renamed to Abbey Road Studios in 1970.

“The idea for the cover is just me taking a step into the next phase of my life, almost symbolically.”

- George Harrison, 1970

The album was finally released on October 4th, 1969 (the release was delayed to not compete with The Beatles’ Get Back), receiving nearly universal acclaim and becoming one of the best-sold records of the 1960s.

Something

- 01. Art of Dying (3:43) [1]

- 02. Something (3:02) [2]

- 03. Old Brown Shoe (3:18) [3]

- 04. For You Blue (2:29) [4]

- 05. I Me Mine (2:25) [4]

- 06. Isn’t it a Pity (7:13) [1]

- 07. Here Comes The Sun (3:05) [5]

- 08. Apple Scruffs (3:09) [1]

- 09. Nowhere to Go (3:11) [6]

- 10. Wah-Wah (5:39) [1]

- 11. Window, Window (2:42) [6]

- 12. Hear Me Lord (6:00) [1]

Released: October 4th, 1969

Track sources:

[1] - All Things Must Pass, 1970

[2] - Abbey Road, 1969

[3] - Past Masters, 1988

[4] - Let It Be Naked, 2003

[5] - Custom mix by The_Lifehouse

[6] - Cosmic Empire by Albums That Should Exist

Pictured above: Bob Dylan playing with The Band at the Isle of Wight Festival, 1969

Despite not participating with The Band at Woodstock, Bob Dylan came to the Isle of Wight Festival with The Band on August 31st, 1969. It was the first time he performed live since his motorcycle incident in 1966. Their setlist at the concert was as follows:

1. Rainy Day Women #12 & 35
2. Mr. Tamborine Man
3. Like a Rolling Stone
4. This Wheel’s on Fire
5. Tears of Rage
6. The Weight
7. Highway 61 Revisited
8. Stuck in The Middle of Mobile With The Memphis Blues Again
9. I’ll Be Your Baby Tonight
10. Chest Fever
11. I Shall Be Released
12. To Kingdom Come
13. I Pity the Poor Immigrant
14. Drifter’s Escape
15. Minstrel Boy
16. Slippin’ and Slidin’ (Peepin’ and Hidin’)

After returning to America, The Band set up shop in the pool house of a home rented by the group in Hollywood Hills, with the intent of giving their latest album, John Wesley Harding, a Basement Tapes-like feel in what was termed “a clubhouse concept”. Recording finished on September 6th, with the album being released on September 22nd.

John Wesley Harding

- 01. Across the Great Divide (2:54) [1]

- 02. John Wesley Harding (3:00) [2]

- 03. Rag Mama Rag (3:03) [1]

- 04. The Night They Drove Old Dixie Down (3:32) [2]

- 05. I Dreamed I Saw St. Augustine (3:55) [1]

- 06. When You Awake (3:13) [1]

- 07. Up On Cripple Creek (4:32) [1]

- 08. The Wicked Messenger (2:05) [2]

- 09. Whispering Pines (3:58) [1]

- 10. Jemima Surrender (3:31) [1]

- 11. Rockin’ Chair (3:43) [1]

- 12. The Ballad of Frankie Lee and Judas Priest (5:35) [2]

- 13. Look Out Cleveland (3:10) [1]

- 14. Jawbone (4:21) [1]

- 15. The Unfaithful Servant (4:17) [1]

- 16. Dear Landlord (3:18) [2]

- 17. King Harvest (3:36) [1]

- 18. Down Along the Cove (2:25) [2]

Released: September 22nd, 1969

Track sources:

[1] - The Band, 1969

[2] - John Wesley Harding, 1967

Pictured above: The Plastic Ono Band performing at the Toronto Rock and Roll Revival, 1969

After his departure from The Beatles, John and Yoko Ono Lennon started organizing a band to play at the Toronto Rock and Roll Festival, following a call John received on September 12th about attending the festival for free to boost its profile. The lineup (which also became the second lineup of the Plastic Ono Band following the recording of Give Peace a Chance during John and Yoko’s second Bed-in for Peace), consisted of John Lennon on lead vocals and rhythm guitar, Yoko Ono on vocals, Eric Clapton on lead guitar, Klaus Voorman on bass, and Alan White on drums. Despite being planned for September 13th, the festival was delayed to September 30th, due to heavy rains.

Pictured above: Cover for the Plastic Ono Band live album Live Peace In Toronto, 1969

Also with this lineup (albeit with Ringo Starr on drums rather than Alan White), the single Cold Turkey was recorded, with the intent to be put on John Lennon’s debut solo album (which had the working title In His Own Songwrite). The single was released on October 20th, with the B-side Don’t Worry Kyoko (Mummy’s Only Looking for a Hand in the Snow).

Pictured above: The Rolling Stones, 1969

By the time Beggars Banquet was released, Brian Jones was only sporadically contributing to The Rolling Stones. Mick Jagger saying that Jones was “not psychologically suited for this way of life.” During a meeting in June with Jagger, Jones and Charlie Watts at Jones’ house, Jones admitted he was “unable to go on the road again” and left the band, saying “I’ve left, and if I want to I can come back.”

The Rolling Stones set forth looking for a new guitarist, auditioning several including Paul Kossoff and David Bowie, before settling on Mick Taylor.

“The funny thing is that I was actually considered to be a replacement for Brian Jones, but... truth be told I don’t think I could have handled that responsibility”

David Bowie, 1987

On June 3rd, Brian Jones was found dead under mysterious circumstances in the swimming pool at his home, less than a month after his leave from the band. Despite this, the band went forth with a free concert organized by Blackhill Enterprises two days later in Hyde Park with King Crimson as the opening act, debuting Mick Taylor publically and dedicating the show to Jones. Before starting their set, Blackhill Enterprises stage manager Sam Cutler introduced The Rolling Stones as “the greatest rock and roll band in the world”. Jagger read an excerpt from Percy Bysshe Shelly’s poem Andonaïs, an elegy written on the death of his friend John Keats. They released thousands of butterflies in Jones’ memory before finally opening their set with “I’m Yours and I’m Her’s”.

The Rolling Stones’ last album of the 60s was Let It Bleed, recorded between February and October of 1969, with a break between August and September. It was released shortly after their 1969 American Tour on December 5th, 1969.

Pictured above: Pink Floyd, 1969

After finishing their The Man and The Journey tour on September 24th, 1969, Pink Floyd released a live album using recordings mostly from their 1969 tour, albeit some songs were taken from BBC recordings and earlier live recordings, some with Syd Barrett.

“There was some demand for a live album, dunno why. Either way, the main reason we released On the Road was because EMI wanted an album from us for their new label Harvest. We didn’t have any new material at the time, so we ended up just releasing those live recordings.”

- Nick Mason, 2005

On the Road

- 01. Astronomy Domine (8:28) [1]
- 02. The Beginning / Beset by The Creatures of The Deep (11:00) [1]
- 03. Interstellar Overdrive (16:41) [1]
- 04. Pow R. Toc H. (4:21) [1]
- 05. Set the Controls for the Heart of the Sun (9:22) [1]
- 06. The Massed Gadgets of Hercules (12:48) [1]
- 07. Let There Be More Light (4:18) [1]
- 08. Nightmare (10:27)

Released: September 24th, 1969

Track sources:

[1] - Custom mix by Auran

Recording for Ummagumma took place between September and October of 1969, with the single Point Me at The Sky / It Would Be So Nice being released on November 1st, 1969. A noteworthy part of the album is the suite after which the album is named, Ummagumma, which itself was named after Cambridge slang for sex.

“The Ummagumma Suite, to put it simply, was about having sex and a child. There’s not much else to it, we just kind of wanted to make a suite about that.”

Rick Wright, 1970

Ummagumma

- 01. Cirrus Minor (5:18) [1]

- 02. The Nile (3:26) [1]

- 03. Crying (3:33) [1]

- 04. It Would Be So Nice (3:46) [2]

- 05. Ibiza Bar (3:19) [1]

- 06. Lady Divine (4:35) [3]

- 07. Julia Dream (2:34) [2]

- 08. Point Me at the Sky (3:40) [2]

- 09. Ummagumma (20:59) [4]

a. Main Ummagumma

b. Odeon

c. Tadpole’s Journey

d. Seabirds

e. Dramatic Ummagumma

Released: November 7th, 1969

Track sources:

[1] - More, 1969

[2] - 1968 Germin/ation, 2016

[3] - 1968 Germin/ation, 2016 - Roger’s Boogie (Capitol Studios 1968)

[4] - Custom mix by The_Lifehouse

Author’s comments:

Well, everyone, we’re basically done with 1969 at this point. This post was really just to tie up loose ends on plot points that conclude in 1969.

However before we carry on with the 1970s, we’re going to pull inspiration from Strawberry Peppers a bit more and do a few “deleted scenes” scenarios of ideas and plot points we thought of a bit too late to be included in our original posts covering the 1960s. I hope you enjoy that and thank you once more for reading!

P.S., I forgot to link Get Back in the last post, should be there now.

April 1969 - September 1969: I Couldn't Have Been Happier

Pictured above: George Harrison and Bob Dylan, 1969

After having left The Beatles, George took two months off on vacation to America, where he met up with Bob Dylan and stayed with him in his cabin in Nashville while the rest of The Band were on tour.

“I pulled a Brian Wilson sort of deal where the others went on tour while I stayed behind... I wasn’t really ready to return touring at that time.”

- Bob Dylan, 1975

During George’s stay, he and Bob discussed what went down with The Beatles, and his frustrations, particularly about John and Paul (who gained the nickname “the two-headed monster” among the two at the time.) It was then that Bob suggested that he recorded a solo album to “let the songs out”. George, with a wide grin, thought it might be time to show the world how capable of a songwriter he really was, also asking how he could repay Bob for giving such a brilliant idea.

“Bob said he’d love for me to produce the next Band album, and I couldn’t have been happier to do so!”

- George Harrison, 1989

that same day, George started writing a new song with Bob, Nowhere to Go, for possible inclusion on his solo album. Around the same time, he also wrote a song venting about his frustrations with The Beatles, Wah-Wah.

Sessions for both George’s album and The Band’s (tentatively self-titled) second album started on May 8th (two weeks after George’s leave from The Beatles). However, these sessions were soon cut short due to a call from Columbia Records.

“Get this, those fuckers wanted two more albums outta me, I was tempted to reply with “I don’t owe you swines shit!” and hang up right there, though George saw that look in my eyes and gave me a ‘you’ll regret it’ look in return. So I just said ‘Alright, two, and no more’”

- Bob Dylan, 1986

Nashville Skylines was recorded in only 9 days between May 12th and May 21st (not counting the 15th due to Bob participating on the first episode of Johnny Cash’s television show) with local Nashville musicians, later released on July 9th, 1969. Around June, George returned to England, with essentially half of his album already finished.

“George rang us up around late June, early July... nobody outside of Apple heard George left The Beatles at that point. Epstein and the other Apple folks were doing their best to keep it under wraps. Anyways, George rang us up and told us he was working on a solo album and asked if we wanted to help him with it... be his backing band and all. Of course, we agreed, and that was it.”

- Pete Ham, 1974

The Abbey Road sessions for George Harrison’s proper solo debut album (Wonderwall Music being dismissed as a music soundtrack album and nothing else) Something carried onto the rest of July and early August, albeit were interrupted on August 14th in order for George and Badfinger to prepare and relocate themselves to New York for the Woodstock music festival.

Pictured above: The Beatles in studio, 1969

Sessions for Get Back painstakingly carried on throughout May and June with the new unofficial inclusions of Eric Clapton and Billy Preston among The Beatles’ ranks.

Among the songs recorded in the May-June sessions were Two of Us, One After 909, Get Back, Dig It, Ain’t She Sweet, Teddy Boy, Junk, Oh! Darling, She Came in Through the Bathroom Window, Madman, Watching Rainbows, and another attempt of Ringo’s to work further on Taking a Trip to Carolina.

“As much as George said he was ok with me standing in for him, I just felt incredibly out of place. Not to mention a certain tension with John and Paul’s bickering and an overall awkwardness in the air... we ended up taking a break in July, only really reuniting after Woodstock.”

- Eric Clapton, 1995

Pictured above: Early poster of the Woodstock Festival, with the acts yet to be included.

The Woodstock festival is remembered for many things, albeit if any event, in particular, shocked the world the most, was the first appearance of The Beatles in concert in over three years and the first time the world heard of George’s permanent leave from the band.

The acts performing between August 15th and August 16th at Woodstock are as follows:

• Richie Havens (5:07 p.m. - 6:00 p.m.)
• Swami Satchidananda (7:10 p.m. - 7:20 p.m.)
• Sweetwater (7:30 p.m. - 8:35 p.m.)
• Bert Sommer (8:30 p.m. - 9:15 p.m.)
• Tim Hardin (9:20 p.m. - 9:45 p.m.)
• Ravi Shankar (10:00 p.m. - 10:45 p.m.)
• Melanie (11:00 p.m. - 11:30 p.m.)
• Arlo Guthrie (11:55 p.m. - 12:25 p.m.)
• Joni Mitchell (12:55 a.m. - 1:30 a.m.)

The acts performing between August 16th and 17th at Woodstock are as follows:

• Quill (12:30 p.m. - 12:45 p.m.)
• The Beatles (1:20 p.m. - 1:45 p.m.)
• Santana (2:00 p.m. - 2:45 p.m.)
• The Doors (3:30 p.m. - 4:05 p.m.)
• Keef Hartley Band (4:45 p.m. - 5:30 p.m.)
• The Incredible String Band (6:00 p.m. - 6:30 p.m.)
• Canned Heat (7:30 p.m. - 8:30 p.m.)
• Mountain (9:00 p.m. - 10:00 p.m.)
• Grateful Dead (10:30 p.m. - 12:05 a.m.)
• Creedence Clearwater Revival (12:30 a.m. - 1:20 a.m.)
• Janis Joplin and the Kozmic Blues Band (2:00 a.m. - 3:00 a.m.)
• Sly & the Family Stone (3:30 a.m. - 4:20 a.m.)
• The Who (5:00 a.m. - 6:05 a.m.)
• Jefferson Airplane (8:00 a.m. - 9:40 a.m.)
• George Harrison featuring Badfinger (10:00 a.m - 10:50 a.m.)

The acts performing between August 17th and 18th are as follows:

• Joe Cocker and the Grease Band (2:00 p.m. - 3:25 p.m.)
• Country Joe and the Fish (6:30 p.m. - 8:00 p.m.)
• Ten Years After (8:15 p.m. - 9:15 p.m.)
• The Band (without Bob Dylan) (10:00 p.m. - 10:50 p.m.)
• Johnny Winter (12:00 a.m. - 1:05 a.m.)
• Blood, Sweat & Tears (1:30 a.m. - 2:30 a.m.)
• Crosby, Stills, Nash & Young (3:00 a.m. - 4:00 a.m.)
• Paul Butterfield Blues Band (6:00 a.m. - 6:45 a.m.)
• Sha Na Na (7:30 a.m. - 8:00 a.m.)
• Jimi Hendrix / Gypsy Sun & Rainbows (9:00 a.m. - 11:10 a.m.)

Pictured above: Joni Mitchell at Woodstock, 1969

Despite the insistence of her manager to not miss appearing at The Dick Cavett Show, Joni Mitchell came to the Woodstock festival, filling in a slot previously occupied by Joan Baez (who canceled due to her six-month pregnancy). Her setlist was as follows:

1. Chelsea Morning
2. Rainy Night House
3. Cactus Tree
4. Night in the City
5. Willy
6. Both Sides, Now

Pictured above: John Lennon performing with The Beatles at Woodstock, 1969

As The Beatles walked on stage, cheers and applause filled the crowd, soon followed by a silent confusion from those who were paying attention, as John, Paul, and Ringo came on the stage, with no sign of George to be seen.

“Geez, I was expecting a bit of screaming from the audience, well anyways, you’re all probably wondering why George isn’t with us right now. Well, he’s had enough of me and Paul’s screamin’ matches, and went solo! We, of course, wish him the best of luck on his career and his set!”

- John Lennon, 1969

After John’s short speech, the three Beatles proceeded to play an acoustic set that would go down in history as The Beatles’ last live performance. The setlist was as follows:

1. Two of Us
2. Dear Prudence
3. I’m Only Sleeping
4. You’ve Got To Hide Your Love Away
5. Norwegian Wood
6. Child of Nature
7. Yesterday
8. Revolution
9. All Together Now

Pictured above: Jim Morrison performing with The Doors, 1969

“We almost turned down showing up at Woodstock actually, we felt it would just be a second class repeat of Monterey Pop Festival. We definitely would have regretted it.”

- Robby Krieger, 1996

The Doors’ performance at Woodstock is often considered one of their best, despite a slight misstep. Between the songs Touch Me and The Soft Parade, there was a brief interruption by the political activist Abbie Hoffman, who attempted to speak against the jailing of John Sinclair of the White Panther Party. He grabbed a microphone and yelled, “I think this is a pile of shit while John Sinclair rots in prison...”. Jim Morrison was adjusting his microphone when he saw Abbie, “Hey man, get the fuck outta here!” he snapped, grabbing Abbie’s arm and throwing him off of the stage and saying “...yeah, it’s bullshit, but don’t fucking interrupt us like that!”. The Doors’ setlist was as follows:

1. Five to One
2. Break On Through (To the Other Side)
3. Back Door Man
4. When the Music’s Over
5. Touch Me
6. The Soft Parade
7. Light My Fire
8. The Celebration of The Lizard

Pictured above: George Harrison performing at Woodstock with Badfinger, 1969

“What John told you all yesterday is true, I’m out of The Beatles. I wish I could say I left on the best of terms, but all things must pass, no? Anyways, I’m here with an Apple band, Badfinger, and we’re gonna play a few songs for you today, and some of them are from my upcoming album, called Something, I hope you all enjoy!”

- George Harrison, 1969

The crowd’s feedback was a nearly uniform mix of boos and cheers as reassurance came in that the classic lineup of John, Paul, George and Ringo was no more. However as the beginning chords of Taxman kicked in, cheers came from all throughout the crowd. George’s setlist was as follows:

1. Taxman
2. Wah-Wah
3. I Want To Tell You
4. Something
5. Piggies
6. Old Brown Shoe
7. Nowhere to Go
8. While My Guitar Gently Weeps (Chaos)
9. I Me Mine
10. Here Comes The Sun
11. Isn’t It a Pity
12. Art of Dying

As Jimi Hendrix’s set came to a close on the morning of August 18th, so did Woodstock. The festival went down in history as the culmination of 60s counterculture and a high point for many of the artist’s careers.

Though more bittersweet, Woodstock unofficially marked the end of The Beatles as a band. They continued recording Get Back throughout August, but they were no longer a proper unit at that point, rather just five musicians “getting it over with”. Recording was concluded on August 31st, and a week before the release of Get Back, John officially quit the band on the 20th of September, Paul quitting on September 30th, three days after the album’s release. Get Back was seen as a “fitting swan song” for the group by critics, citing that the secret track fits in with the narrative of Ringo trying to get his song, but realizing it’s no good.

Get Back

- 01. Two of Us (3:36) [1]

- 02. Dig a Pony (3:54) [1]

- 03. Across the Universe (3:25) [1]

- 04. Don’t Let Me Down (3:18) [1]

- 05. Dig It (4:07) [1]

- 06. Let It Be (3:49) [1]

- 07. Maggie Mae (0:40) [1]

- 08. I’ve Got a Feeling (3:37) [1]

- 09. One After 909 (2:54) [1]

- 10. The Long and Winding Road (3:37) [1]

- 11. Ain’t She Sweet (2:11) [1]

- 12. Get Back (3:31) [1]

- 13. The End (2:15) [1]

- 14. Taking a Trip to Carolina (0:44) [1]

Released: September 27, 1969

Track sources:

[1] Custom Mix by The_Lifehouse

Author's notes:
Well, everyone, I hope you enjoy this new entry of Something Creative, in particular, our slightly different take on Woodstock and our version of Get Back. We don't really have much else to say other than to thank everyone for making it this far. Your support is what keeps us going and we wouldn't be doing this is not for your support. Expect more soon!